Para Site
Publications
2017
Job Interviews
2017
The Unappropriated Recipes
2016
The APICHATPONG WEERASETHAKUL SOURCEBOOK : The Serenity of Madness
2016
Afterwork Readings
2015
A Journal of the Plague Year
2015
Taiping Tianguo: A History of Possible Encounters
2014
Fugue in the key of Understanding
2014
Acconci studio+Ai Weiwei A collaborative project
2014
Who Cares? 16 Essays on curating in Asia
2010
This is Hong Kong: 15 Video Artists
2009
Lawrence Weiner in Hong Kong: A Documentation
2009
Feigned Innocence:we all look
2008
ODD ONE IN II:INVISIBLE TRAVEL
2008
Para/Site 1996-2008
2008
CHiE
2006
[Re]Fabrication: Choi Yan-chi’s 30 years, Paths of Inter-disciplinarity in Art
2005
Curiosities: Post-Art from the Edge
2005
A Matter of Ownership: An exchange between Para Site and The Substation
2004
Travel Agency
2004
An Open Rule: Blink Space: Drifting Presence
2004
Man Made
2004
Germaine Koh: Stall
2003
Open Work
2003
Mapping Identies: The Art and Curating of Oscar Ho
2002
Organisation for Cutural Exchange and Mishap(OCEM)
2002
Someone’s done it before_a multi-media show
2002
Did you know that Hong Kong was still last night
2002
A Tree to Be Found – Words·Images: Seeman
2002
HOUSEWARMING
2002
50th Venice Biennale-navigation the dot
2002
QK – A Specimen Collection of Chan Yuk Keung
2002
PS 1996-2000
2002
Social Club
2002
Tracer by Cecelia Heisser
2002
Start From Body Pained works by Sin Yuen
2002
Displacement abject Video Installation by Rita Hui
2002
The Red Twenty Years of Ricky Yeung Sau-churk
2002
NAM JUNE PAIK UN-PLUGGED by Clare Goodwin
2002
Sticky Finger
2002
DISPLACED SPACE
2002
Open Cities: HKG>
2002
DIGITALL Mixed Media Work by Enoch Cheung
2002
Ma’am Box
2002
Material Prima: a hong kong-melbourne art exchange
2001
Coffee Shop
